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  • The anime machine : a media theory of animation / Thomas Lamarre | National Library of Australia.
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The Anime Machine A Media Theory of Animation

Write a review Rate this item: 1 2 3 4 5. Preview this item Preview this item. Thomas Lamarre contends that animation demands sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. Read more Show all links.

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Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the 'animetic machine' encourages a specific approach to thinking about technology.

Reviews Editorial reviews. Publisher Synopsis "Combining superb scholarship, a palpable passion for his subject, and a singular sensibility for the art of the moving image, Thomas Lamarre has produced a landmark work in cultural theory and media history.

User-contributed reviews Add a review and share your thoughts with other readers. Be the first. Add a review and share your thoughts with other readers. Motion pictures -- Japan -- History. Motion pictures -- History. Animated films. Motion pictures. Presents a foundational theory of animation and what it reveals about our relationship to technology. Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies.

Thomas Lamarre contends that animation demands sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. Combining superb scholarship, a palpable passion for his subject, and a singular sensibility for the art of the moving image, Thomas Lamarre has produced a landmark work in cultural theory and media history.

The Anime Machine navigates the intercultural and transmedia complexities of the worlds of anime with expertise and originality.

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Everyone from the anime enthusiast to the philosopher will come away with a heightened appreciation of one of the defining art forms of our era. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media.

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Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. With the help of thinkers such as Deleuze and Guattari, Thomas Lamarre identifies in anime an originary machinic force, one that traverses both animation and cinema, with a capacity for heteropoeisis through technological practices. This is an inspiringly sophisticated and imaginative book.

The Anime Machine is a brilliant text that will hopefully revolutionize the study of animation, Japanese or otherwise. Contemporary anime has come to be known for the richness and complexity of its aesthetic designs and the expansive transmedial networks of serialization and consumption it inhabits. The Anime Machine constitutes a landmark within the study of animation and its relationship to technology and media. As a theoretical work, it straddles several areas, including visual studies, theories of modernity, and psychoanalysis, while introducing some useful and innovative models for consideration in viewing Japanese animation.

After you have read this book, you will not look at anime the same way. Lamarre provides brilliant concepts and precise terminology for features that you have noticed or felt, without quite knowing how to describe them.